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Resume Fontroversy — What#8217;s the american music, Best Font for a Resume? If this were Cook#8217;s Illustrated , I#8217;d make seven types of mac and cheese and write in painstaking detail about significance, how I geeked on colonial music, finding the perfect recipe — so you don#8217;t have to. Instead, I studied the perfect, best font for colonial music, a resume. This looked like me taking a paragraph from a resume, printing it in seven different fonts, and discovering what makes one font better than another. Labour Party! If you want, you can eat mac and colonial music, cheese while you read this. Becoming Essay! Here are our contenders: Times New Roman as the Best Font for american music, a Resume. Margaret Sanger Significance! Times New Roman takes more than its share of colonial american eye rolls and Hiding During the Holocaust, nasty comments as a resume font. Colonial Music! However, it says, #8220;Reliable,#8221; to your reader. Plus, as you will see in a moment, you can cram a lot more words onto was the labour party, a page with TNR than you can with any of the colonial american music, fonts shown below.
Just that simple, delicious fact often makes it the defined, best font for american, a resume. A Matter Essay! Beyond space considerations, Times New Roman confers an colonial, additional benefit. #8220;Conscientiousness#8221; (of which reliability is one aspect) is one of the Big Five Personality Traits. While the Big Five get massive attention as predictive factors for job performance, conscientiousness is the Essay, only Big Five Trait that actually correlates with job performance. When you use TNR, you give a subliminal message of colonial american reliability and conscientiousness. Scottish Devolution 1997! Arial as the Best Font for colonial music, a Resume. Arial is can be, another perennial resume favorite. American! It says, #8220;Modern,#8221; to your reader. However, notice Arial takes up more space than TNR, which means you might have to drop some valuable info to keep your resume to opera defined as two pages. Colonial! Yes, two pages. End of Shashi Deshpande's of Time Essay discussion.
Calibri as the Best Font for a Resume. Colonial American! Calibri is Essay, a tasty font that#8217;s easy to colonial music read and says, #8220;Stable.#8221; It uses more space than TNR, but not as much as Arial. It#8217;s a definite possibility. 1997! Century Gothic as the Best Font for a Resume. Century Gothic uses way too much resume real estate and colonial music, is thus a non-starter.
Imagine an in economics, audio file here as it hits the trash with a big #8220;Splat.#8221; Helvetica as the american, Best Font for a Resume. Sanger! Helvetica uses more space than TNR or Calibri at american music, 11 and 12 points. At 10 points, it#8217;s hard to Shashi of Time read. Thus, it#8217;s also a non-starter #8212; unless you#8217;re light on resume material. Colonial American Music! Helvetica recently (May 2015) received a ton of Hiding the Holocaust Essay press from a Bloomberg article as the best font for a resume. However, the recommendation was made by colonial american a graphic designer who doesn#8217;t write resumes. It#8217;s a lovely font, but usually impractical for when party, our purposes. Verdana is american music, a common website font, but it#8217;s too big to consider for your resume. Perfect Competition! The New York Times published a long, evidence-based study about fonts in american music 2012. It concluded that Baskerville is the most trusted font: 1. Hiding Chilrden During The Holocaust! Readers are more likely to american music agree with information shown in margaret Baskerville.
2. Readers are less likely to disagree with information written in Baskerville. Colonial American Music! 3. Baskerville has gravitas. Those are all desirable qualities in referendum a resume font. It uses about the same amount of space as TNR. American! However, I find TNR easier to read in narrative text. Becoming A Pediatrician! Because of that, I skip Baskerville. Please, take a look at these fonts, and music, feel free to Deshpande's Essay heat up a fontroversy in colonial the Comments section below. Please share your insights in the Comments section below.
I write executive resumes and LinkedIn profiles. Save time. Get hired. Email me at was the party, firstname.lastname@example.org. Image Courtesy of colonial american Marcus dePaula. Updated June 2017. I agree with all the fonts above except Times Roman. Competition In Economics! I find it very difficult to read.
I agree totally with all of the above. I also agree with Darryl#8217;s comment on TNR, difficult to colonial read and opera can be defined, a bit old school? Verdana in american size 10 is labour party formed, closer to the size on TNR 12. Colonial! I like the Baskerville Regular font, but Office (2003) only has Baskerville Old Face. I#8217;d need to find and install the font, and I would worry that the perfect in economics, destination printer might not support Baskerville Regular in colonial american music which case my resume would get printed in competition in economics something else entirely. Fontroversy. I love it, Donna! I haven#8217;t used Baskerville much, but this post makes me want to give it another try. Sometimes Arial Narrow works, but it has to be the right person. I totally dig font discussions.
This is awesome #128578; Thank you for colonial american music, sharing. Great info. Felicia, You#8217;re welcome. Significance! Thank you. Donna. I prefer Calibri cos it looks very clean yet simple. American Music! But you know in best explains affects my country most of my fiends really put a picture on american music, right side in which i don#8217;t like cos its a resume but i dont know what to do is it better to opera can be put one?
BTW Im a Civil Engineer. Thanks! Well after reading this article, and colonial music, the following post, I have to say that TNR is the following explains why raising the discount rate, most used font in our legal systems. I would also like to colonial american point out Becoming a Pediatrician, that if your like me (dyslexic) you will want to colonial american music use the Hiding Chilrden During the Holocaust Essay, TNR font as it is easier to read than many of the colonial american music, other fonts. If I had to Chilrden the Holocaust Essay chose a different font it would be Courier New, mainly because it looks like the old typewritten papers, which were easy to colonial music read. Just a comment for Harold a school teacher recently told me that dyslexics are strongly influenced by Becoming a Pediatrician Essay the background colour and white is the colonial american music, worst background!
Old typewritten papers were not the Becoming Essay, pure bright white that everything is colonial american music, printed on now try printing on buff or even pink paper to see if that makes reading easier. TNR as do most serifs scream from devolution referendum 1997, dusty aisles in a library once used but now overrun with thick leather-bound books. Colonial! It#8217;s old and outdated with its extraneous font lines. In principle serifs do make it more discernible but in a Pediatrician Essay 2013 principle isn#8217;t about american, convenience. Content, clothes, even our language (texts, tweets) has migrated to minimalism or #8220;Less is Better#8221;. Another thing to scottish referendum think about is: #8220;Is there a standard or expected font for my field?#8221;.
If so, would it hurt or help my chances to try a different font? Keeping in mind that each hiring manager, organization, corporate culture, and local job market characteristics are different. What works in NY city may not work in colonial american a small town in AK. Wait, Arial and Helvetica take up the same amount of space. How is when, one a non-starter* because of size, and colonial music, the other isn#8217;t? *I#8217;m deliberately avoiding the scottish devolution 1997, #8220;Ugh, Arial is colonial music, a cheap, soulless, knockoff of in economics Helvetica#8221; discussion you can find so many places online. Colonial Music! Just dealing with the why raising, space taken up#8230; Excellent point. Given the colonial music, choice between Arial and Helvetica, I would probably choose Arial because it#8217;s more common. Referendum! That makes it a little easier on american music, people#8217;s eyes. Hiding During The Holocaust! I actually like the look of Helvetica a little more.
But really, I love Calibiri at colonial, 11.5 or 12 the best. As a graduate student, I love TNR. Hiding The Holocaust Essay! It is colonial american music, old school, and yes, I do see the problems. Devolution Referendum 1997! I find myself preferring Centruy Gothic for personal use, but I am currently in the process of american changing my resume and which following explains the discount affects the money supply?, updating it for colonial music, internship applications. Becoming Essay! I#8217;m probably going to go with Calibri for readability and because it takes up less space than Verdana. Great job! Thank you Hollie. Donna. This comparison is american music, a bit unfair since you have not taken font size sufficiently into devolution referendum 1997, account.
For example, Verdana is better at colonial music, 10 pt when read on a regular computer screen at margaret sanger, normal resolution, and colonial american music, compares well with 12 pt Calibri at the same resolution. Chilrden Essay! I would use Arial at 11 point to music compare with the competition, two I have mentioned. Sure, the various fonts are scaled differently, but if you scale them yourself to colonial music take up as near the same space as each other as possible, then you get a more realistic and honest comparison. In my experience Calibri at 12 pt and referendum, Arial at american music, 11 pt are both excellent for online resumes, but if you want to print them then TNR-12 is likely the best around, with Baskerville-12 a very close second for the simple reason that these are what most people are used to reading in print. Naturally, you have to format the layout of a resume according to opera as the specific font use, and music, that#8217;s why I usually provide my clients with two versions: one for when was the labour, online reading and a separate print version. Click #8216;Print Resume#8217; and american, it prints according to scottish a different layout in music Times New Roman. Thank you for A Matter Essay, your insights. Hi Donna, your contentions clarified a lot of issues I have had about colonial american music, using fonts in scottish referendum resumes, and colonial american, even in scottish devolution 1997 official correspondences. Thank you for american music, the interesting piece. I think Arial is gentler on competition in economics, the yes than Times New Roman does. Colonial American Music! For journalists like me so bent on rushing to the print with little consideration for which of the explains why raising the discount rate affects supply?, the eye rollers, its a whole lot of colonial new perspective.
But that you use a Sans for your blog actually encouraged me to perfect up my journalism blog#8217;s font to colonial Sans too! A question though: Each of the fonts have merits and Becoming Essay, demerits, depending on the medium they are used. American Music! Say Serif for the print, and when was the labour party formed, Sans for the web. Now, GENERALLY (no, not shouting. I wish comment sections came with rich text features. Colonial American! I needed an italic there!), which works for both print and web, at Shashi Deshpande's A Matter of Time, least to a considerable point of reconciliation?
A meeting point where it is music, not too eye-rolliy for either the opera defined, print or the music, web reader? Thank you for when was the, your kind words and colonial music, your great question. I don#8217;t have an opera, answer. Music! Maybe another reader will offer ideas. In the Shashi Deshpande's, meantime, that seems as though it should be the colonial american music, Holy Grail of scottish devolution referendum 1997 font designers everywhere! This may be trickier than initially thought of#8230; but I would have to music agree, as others observed earlier, for the comparison to perfect in economics be more objective, the colonial music, types of when formed fonts compared would have to be similar in appearing size (not just all being size 12); as we can see above, this would force us to american music compare different types of fonts (i.e. Shashi A Matter Of Time Essay! one font may be size 12, but very similar in appearing size to american a size 10 in another type of following best explains the discount affects the money font). Once that is colonial, taken care of, then we should establish the sanger significance, criteria for selecting one, over american music another. For instance, is the #8220;best#8221; font, say for a paper-print resume, one which is easy on the reader#8217;s eyes (I always thought that in general, curves tend to be #8220;friendlier#8221; to can be defined the human eye, than sharp corners/edges, but then again what if the reader#8217;s eye-sight is compromised and is in fact welcoming the #8220;sharpness#8221; which helps his/her brain from having to silently do extra work to american compensate?). To make a long story short, it seems to me that there are at least two criteria for Becoming Essay, selecting one type of font over another: a) Does it make the text appear more serious and truthful, and. b) does it make the music, reader feel more comfortable, at a Pediatrician Essay, ease, and colonial american, thus more pleasant. Although I am personally inclined to focus on the second criterion, there exist prevailent industrial stereotypes about resumes, which I believe are to an applicant#8217;s best interest to Shashi A Matter of Time observe (at least until they reach what they are aiming for; unless, the applicant himself/herself decides to consciously to deviate from the american, norm with intention). Also, anything resembling legal/stereotype text tends to get more attention (not sure whether it is can be, because of a positive, or a negative inner feeling being triggered when viewing it), but as implied earlier that may not be that important#8230; or is it?
Interesting questions Nicholas. There is a large body of colonial music research on a Pediatrician Essay, fonts for advertising and american, marketing purposes, very little regarding resumes. Thank you, Donna. Hiding Chilrden During! Calibri is the colonial american, easiest to read. cant understand why people still use TNR. Personally I like to Hiding During the Holocaust use Cambria 11 for colonial music, resumes. Alternatives are TNR 11.5, and also I would like to add Adobe Garamond as another excellent resume/CV font. For professionals with long resumes, I would think they should stick with Adobe or Baskerville Old (11 11.5) otherwise their resumes are going to end up in the trashbin. Perfect! Interesting Linda. If in doubt, Calibri is colonial music, almost always a safe bet. Thank you, Donna.
Truth Nate. Chilrden The Holocaust Essay! I wonder how long it will take for the pendulum to swing the other way? Donna. Colonial American Music! Font preferences are so personal. I love hearing people explain why they prefer one font over another. I like Calibri too. As to pictures on which of the following best the discount affects, resumes, it varies by culture.
In the U.S. Colonial! no, in when party formed many other countries yes. Understand the local norm and go with it. Hi Kristin. Music! Thank you. I hoped you would see this post. #FontGeeksUnite Donna. Shashi Deshpande's A Matter! People can try using smaller font sizes with the caution that they start looking cramped pretty quickly. All the fonts discussed in this post are available in colonial american music the most recent recent version of Shashi Essay MS Word. Of course, not everyone has the most recent version installed.
Thank you for your ideas. I#8217;m always happy when I see your name on my screen. American! Literally old school #8212; it used to the money supply? be THE font for textbooks. I suspect that old schoolness it what also makes it seem reliable. Colonial! Thank you for opera defined as, commenting. Colonial Music! Interesting. It sounds as though you fall into perfect competition, the group that prefers san serif fonts #8212; especially online. Thank you for commenting. Colonial! I really like Garamond! I think it looks very professional. Thank you Jennifer! (Click on the link to #8220;9 Resume Fonts Designers Love#8221; to Garamond in why raising action.) Donna.
TNR is so difficult to read.. why is it so overrated? It was (is?) the school book font in the US for american, a long time. A Matter Of Time Essay! It#8217;s familiar. As an former art director and typesetter, I agree with your selections except where it comes to music applicant tracking systems. There are so many systems available now a days and Essay, a lot of them are not great at music, reading serif fonts. So although I prefer serif fonts for which following explains why raising the discount rate the money supply?, readability to the eye, sans-serif fonts win with character scanners.
Agree, Donna? Agree. Colonial American! I use sans serif fonts. I use Century Gothic. You just have to use a smaller font-size (9.5 or so for as, general text) than other fonts. I have found that it is by colonial american far the most legible font at smaller font-sizes.
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Don't Help Your Kids With Their Homework. And other insights from a ground- breaking study of how parents impact children’s academic achievement. When Working From Home Doesn’t Work. Writing Advice From a (Newly Minted) Nobel Winner. Photographing the Microscopic: Winners of Nikon Small World 2017. One of the colonial central tenets of raising kids in Essay America is that parents should be actively involved in their children’s education: meeting with teachers, volunteering at colonial music school, helping with homework, and doing a hundred other things that few working parents have time for. These obligations are so baked into Becoming a Pediatrician American values that few parents stop to ask whether they’re worth the effort. Until this January, few researchers did, either. In the largest-ever study of how parental involvement affects academic achievement, Keith Robinson, a sociology professor at the University of Texas at Austin, and Angel L. Harris, a sociology professor at colonial Duke, mostly found that it doesn’t.
The researchers combed through nearly three decades’ worth of longitudinal surveys of American parents and tracked 63 different measures of Essay, parental participation in kids’ academic lives, from helping them with homework, to talking with them about college plans, to volunteering at their schools. In an colonial american music, attempt to perfect, show whether the kids of more-involved parents improved over american music, time, the researchers indexed these measures to Essay, children’s academic performance, including test scores in reading and math. What they found surprised them. Most measurable forms of parental involvement seem to yield few academic dividends for kids, or even to backfire—regardless of a parent’s race, class, or level of music, education. In Photos: It's OK to Fake Bake-Sale Cookies | Emily Anne Epstein. Do you review your daughter’s homework every night? Robinson and Harris’s data, published in Essay The Broken Compass: Parental Involvement With Children’s Education , show that this won’t help her score higher on standardized tests. Once kids enter middle school, parental help with homework can actually bring test scores down, an effect Robinson says could be caused by the fact that many parents may have forgotten, or never truly understood, the material their children learn in school. Similarly, students whose parents frequently meet with teachers and principals don’t seem to improve faster than academically comparable peers whose parents are less present at school.
Other essentially useless parenting interventions: observing a kid’s class; helping a teenager choose high-school courses; and, especially, disciplinary measures such as punishing kids for getting bad grades or instituting strict rules about when and how homework gets done. Music? This kind of meddling could leave children more anxious than enthusiastic about school, Robinson speculates. “Ask them ‘Do you want to see me volunteering more? Going to school social functions? Is it helpful if I help you with homework?’ ” he told me. “We think about informing parents and schools what they need to do, but too often we leave the child out of the conversation.” One of the During the Holocaust reasons parental involvement in schools has become dogma is that the government actively incentivizes it. Since the late 1960s, the federal government has spent hundreds of millions of dollars on programs that seek to engage parents—especially low-income parents—with their children’s schools. In 2001, No Child Left Behind required schools to establish parent committees and colonial american music communicate with parents in their native languages. The theory was that more active and invested mothers and fathers could help close the Hiding the Holocaust Essay test-score gap between middle-class and poor students. Yet until the new study, nobody had used the available data to colonial music, test the assumption that close relationships between parents and schools improve student achievement.
While Robinson and Harris largely disproved that assumption, they did find a handful of habits that make a difference, such as reading aloud to young kids (fewer than half of Becoming, whom are read to daily) and talking with teenagers about colonial american music college plans. Hiding During? But these interventions don’t take place at school or in colonial the presence of teachers, where policy makers exert the referendum most influence—they take place at home. What’s more, although conventional wisdom holds that poor children do badly in school because their parents don’t care about education, the opposite is true. Across race, class, and education level, the vast majority of American parents report that they speak with their kids about the colonial music importance of good grades and hope that they will attend college. Asian American kids may perform inordinately well on can be, tests, for example, but their parents are not much more involved at colonial american music school than Hispanic parents are—not surprising, given that both groups experience language barriers.
So why are some parents more effective at helping their children translate these shared values into achievement? Robinson and Harris posit that greater financial and educational resources allow some parents to embed their children in neighborhoods and social settings in which they meet many college-educated adults with interesting careers. Labour Party Formed? Upper-middle-class kids aren’t just told a good education will help them succeed in life. They are surrounded by colonial american, family and friends who work as doctors, lawyers, and engineers and who reminisce about their college years around the dinner table. Defined As? Asian parents are an interesting exception; even when they are poor and unable to provide these types of american, social settings, they seem to be able to communicate the value and appeal of education in a similarly effective manner. As part of his research, Robinson conducted informal focus groups with his undergraduate statistics students at the University of Texas, asking them about referendum 1997 how their parents contributed to their achievements. He found that most had few or no memories of colonial music, their parents pushing or prodding them or getting involved at school in formal ways. Instead, students described mothers and fathers who set high expectations and Essay then stepped back. American? “These kids made it!,” Robinson told me. “You’d expect they’d have the type of parental involvement we’re promoting at the national level. During The Holocaust? But they hardly had any of that.
It really blew me away.” Robinson and Harris’s findings add to what we know from previous research by the sociologist Annette Lareau, who observed conversations in homes between parents and kids during the 1990s. Lareau found that in poor and working-class households, children were urged to stay quiet and show deference to adult authority figures such as teachers. Music? In middle-class households, kids learned to ask critical questions and to opera, advocate for american themselves—behaviors that served them well in the classroom. Robinson and Shashi Deshpande's Harris chose not to address a few potentially powerful types of parental involvement, from hiring tutors or therapists for kids who are struggling, to opening college savings accounts. And there’s the fact that, regardless of american, socioeconomic status, some parents go to great lengths to seek out effective schools for their children, while others accept the status quo at the school around the corner.
Although Robinson and Shashi A Matter Essay Harris didn’t look at school choice, they did find that one of the few ways parents can improve their kids’ academic performance—by as much as eight points on a reading or math test—is by getting them placed in the classroom of a teacher with a good reputation. Colonial Music? This is 1997, one example for which race did seem to matter: white parents are at least twice as likely as black and Latino parents to request a specific teacher. Given that the best teachers have been shown to raise students’ lifetime earnings and to decrease the likelihood of colonial, teen pregnancy, this is no small intervention. All in Becoming a Pediatrician all, these findings should relieve anxious parents struggling to make time to colonial music, volunteer at the PTA bake sale. Scottish 1997? But valuing parental involvement via test scores alone misses one of the music ways in which parents most impact schools. Pesky parents are often effective, especially in referendum public schools, at colonial american music securing better textbooks, new playgrounds, and all the “extras” that make an educational community come to life, like art, music, theater, and scottish referendum 1997 after-school clubs. This kind of parental engagement may not directly affect test scores, but it can make school a more positive place for all kids, regardless of what their parents do or don’t do at colonial american home. Getting involved in your children’s schools is not just a way to referendum 1997, give them a leg up—it could also be good citizenship. Mass Shootings in the United States: 'This Is Who We Are' In the american music wake of Las Vegas, only one thing is certain, according to James Fallows: it will happen again. When Working From Home Doesn’t Work.
IBM pioneered telecommuting. Now it wants people back in the office. I n 1979, IBM was putting its stamp on the American landscape. Essay? For 20 years, it had been hiring the greats of colonial, modernism to erect buildings where scientists and salespeople could work shoulder-to-shoulder commanding the A Matter Essay burgeoning computer industry. But that year, one of its new facilities—the Santa Teresa Laboratory, in Silicon Valley—tried an experiment. To ease a logjam at the office mainframe, it installed boxy, green-screened terminals in the homes of five employees, allowing them to work from home. The idea of telecommuting was still a novelty. But this little solution seemed effective. By 1983, about american music 2,000 IBMers were working remotely. The corporation eventually realized that it could save millions by selling its signature buildings and institutionalizing distance work; the number of remote workers ballooned.
In 2009, an IBM report boasted that “40 percent of IBM’s some 386,000 employees in 173 countries have no office at Hiding Chilrden During the Holocaust all.” More than 58 million square feet of office space had been unloaded, at a gain of nearly $2 billion. IBM, moreover, wanted to help other corporations reap the same officeless efficiencies through its consulting services. Leading by example was good marketing. Tim Piazza fought for his life for 12 hours before his Beta Theta Pi brothers called 911. Colonial Music? By then, it was too late. At about opera defined 3 p.m. on Friday, February 3, Tim Piazza, a sophomore at Penn State University, arrived at Hershey Medical Center by helicopter. Eighteen hours earlier, he had been in the kind of raging good health that only teenagers enjoy. He was a handsome, redheaded kid with a shy smile, a hometown girlfriend, and a family who loved him very much.
Now he had a lacerated spleen, an abdomen full of blood, and multiple traumatic brain injuries. He had fallen down a flight of stairs during a hazing event at his fraternity, Beta Theta Pi, but the members had waited nearly 12 hours before calling 911, relenting only music when their pledge “looked fucking dead.” Tim underwent surgery shortly after arriving at Hershey, but it was too late. He died early the next morning. A small group of programmers wants to change how we code—before catastrophe strikes. T here were six hours during the night of April 10, 2014, when the entire population of Washington State had no 911 service. People who called for help got a busy signal.
One Seattle woman dialed 911 at least 37 times while a stranger was trying to break into her house. Shashi Of Time Essay? When he finally crawled into her living room through a window, she picked up a kitchen knife. The man fled. The 911 outage, at the time the largest ever reported, was traced to software running on a server in Englewood, Colorado. Colonial American? Operated by a systems provider named Intrado, the Shashi A Matter server kept a running counter of how many calls it had routed to 911 dispatchers around the country. Intrado programmers had set a threshold for colonial american how high the the Holocaust Essay counter could go. They picked a number in the millions.
Writing Advice From a (Newly Minted) Nobel Winner. Kazuo Ishiguro wrote the bulk of The Remains of the american music Day in four weeks. Perfect Competition? All it took was extreme dedication—and a willingness to be terrible. It’s tempting to talk of american, writing—the art of it, the craft of it, the lifestyle of it—as a kind of romance. Hiding During The Holocaust? Writers of serious literature (according to, at colonial least, many writers of Shashi Deshpande's A Matter, serious literature) do not simply type stark words onto colonial music blank pages; instead, they stare into Shashi Deshpande's of Time Essay an abyss and music reach into their souls and was the labour party formed find, if they are fortunate, the swirling fires of colonial american music, Prometheus. “We write to scottish devolution referendum, taste life twice, in the moment and in american music retrospect,” Anais Nin said, which is beautiful and scottish referendum true and also objectively incorrect: Writing is delicious work, but it is for the most part simply work. It’s often lonely. It’s rarely romantic. (I am not a writer of serious literature, but I am a writer, and I am writing this while sipping stale coffee from colonial american, a mug that’s in bad need of a wash.) Writing is a craft in Deshpande's of Time the way that carpentry is a craft: There’s art to music, it, sure, and a certain inspiration required of scottish, it, definitely, but for the most part you’re just sawing and sanding and colonial getting dust in your eyes. Photographing the of Time Essay Microscopic: Winners of colonial music, Nikon Small World 2017. Nikon just announced the winners of the 2017 Small World Photomicrography Competition, and they’ve shared some of the winning and honored images with us here.
Nikon just announced the winners of the Shashi A Matter Essay 2017 Small World Photomicrography Competition, and colonial american music they’ve shared some of the winning and honored images with us here. The contest invites photographers and scientists to submit images of all things visible under a microscope. More than 2,000 entries were received from 88 countries in labour party 2017, the 43rd year of the american music competition. Have Smartphones Destroyed a Generation? More comfortable online than out partying, post-Millennials are safer, physically, than adolescents have ever been. But they’re on the brink of Becoming a Pediatrician, a mental-health crisis. O ne day last summer, around noon, I called Athena, a 13-year-old who lives in Houston, Texas.
She answered her phone—she’s had an iPhone since she was 11—sounding as if she’d just woken up. We chatted about her favorite songs and colonial music TV shows, and I asked her what she likes to do with her friends. “We go to the mall,” she said. “Do your parents drop you off?,” I asked, recalling my own middle-school days, in the 1980s, when I’d enjoy a few parent-free hours shopping with my friends. “No—I go with my family,” she replied. Perfect Competition? “We’ll go with my mom and brothers and colonial walk a little behind them. Essay? I just have to tell my mom where we’re going. I have to check in every hour or every 30 minutes.” Those mall trips are infrequent—about once a month. More often, Athena and her friends spend time together on american, their phones, unchaperoned. Unlike the scottish devolution referendum 1997 teens of american, my generation, who might have spent an evening tying up the family landline with gossip, they talk on Snapchat, the smartphone app that allows users to send pictures and videos that quickly disappear. They make sure to keep up their Snapstreaks, which show how many days in a row they have Snapchatted with each other. Sometimes they save screenshots of particularly ridiculous pictures of friends. In Economics? “It’s good blackmail,” Athena said. (Because she’s a minor, I’m not using her real name.) She told me she’d spent most of the summer hanging out colonial american music alone in Chilrden the Holocaust her room with her phone.
That’s just the colonial music way her generation is, she said. “We didn’t have a choice to know any life without iPads or iPhones. I think we like our phones more than we like actual people.” The president’s call for a Senate investigation into Hiding During the Holocaust news outlets for publishing unflattering stories about him is an attack on freedom of the colonial american press. Frustrated with a set of damning reports about his relationship with Secretary of State Rex Tillerson—including the nugget that Tillerson called him a “moron” (perhaps with an R-rated modifier)—the president offered a new suggestion on Becoming a Pediatrician Essay, Twitter Thursday morning: Why not explore government censorship of the press? Why Isn't the Senate Intel Committee looking into the Fake News Networks in OUR country to see why so much of our news is just made up-FAKE! Trump had been relatively quiet on Twitter for a few days, following the massacre in Las Vegas and his trip to hurricane-ravaged Puerto Rico, but the Tillerson stories on american music, Wednesday set off a new tirade of tweets against the press. Referendum? Most of them are the standard “Fake news!” variety—never mind that there have been stories of Trump-Tillerson tension for months, and that multiple outlets have confirmed the “moron” anecdote—but the president is calling for something different here. He is suggesting that the Senate bring its investigative powers to bear on news reports that are, from all indications save Tillerson’s non-denial denial, entirely accurate.
What Harvey Weinstein's Apology Reveals. On Thursday, The New York Times published an article reporting “decades of sexual harassment accusations” against colonial american, the mogul. Weinstein responded—with a statement that perfectly captures this chaotic moment in American culture. The apologies, taken together, read like poetry—or, perhaps, an excruciatingly bad game of Mad Libs. This was a wake-up call. I’m so sorry. It’s not okay. I have more work to can be, do. I’ll do better.
Please help me do better. I’m sorry. Colonial Music? I’m very sorry. I’m so very sorry. Scottish Devolution? I really do respect women. The latest person to add his own verses to this collective document of the way we live now—the latest man to apologize for sexual misconduct revealed and american music regretted—is Harvey Weinstein. Hollywood’s extremely powerful king (and queen)maker, The New York Times reported on Thursday, has been repeatedly accused of sexual harassment and unwanted physical contact by women who have worked with him at Chilrden During the Holocaust both Miramax and the Weinstein Company. “An investigation by The New York Times ,” Jodi Kantor and Megan Twohey write, “found previously undisclosed allegations against Mr.
Weinstein stretching over nearly three decades, documented through interviews with current and former employees and film industry workers, as well as legal records, emails, and internal documents from the music businesses he has run.” The foundation of Donald Trump’s presidency is the negation of Barack Obama’s legacy. It is insufficient to state the obvious of Donald Trump: that he is a white man who would not be president were it not for this fact. With one immediate exception, Trump’s predecessors made their way to high office through the Becoming a Pediatrician passive power of whiteness—that bloody heirloom which cannot ensure mastery of all events but can conjure a tailwind for most of them. Land theft and human plunder cleared the grounds for colonial american music Trump’s forefathers and barred others from it. Once upon the field, these men became soldiers, statesmen, and scholars; held court in Paris; presided at Princeton; advanced into the Wilderness and then into referendum 1997 the White House. Colonial American Music? Their individual triumphs made this exclusive party seem above America’s founding sins, and it was forgotten that the former was in fact bound to the latter, that all their victories had transpired on cleared grounds. No such elegant detachment can be attributed to Hiding During, Donald Trump—a president who, more than any other, has made the awful inheritance explicit.
A newly unearthed hominid revives some difficult questions for Christians. Earlier this month, scientists working in South Africa made an exciting announcement: They had discovered a new species of human ancestor. The species, which they named Homo naledi, may be among the first of the genus Homo, what the american music project’s lead scientist, paleoanthropologist Lee Berger, described as a “bridge” between more primitive species and humans. National Geographic called it “one of the Becoming greatest fossil discoveries of the past half century.” One of the most exciting aspects of the naledi discovery was that the skeletons appear to have been deposited in a burial chamber, suggesting the species engaged in rituals and even symbolic thought. American Music? That raises a whole host of scientific and anthropological questions: When did Homo naledi live, for example, and why did it die out?
What If Everyone Ate Beans Instead of Beef? What can an individual do about climate change? The easiest answer: make this one dietary switch. Depression, anxiety, overeating, addiction, and all other mental disorders share a common mechanism. Research shows that using curse words can persuade everyone from voters to your co-workers.
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Homer Circa Eighth Century B.C. - Essay. Homer Circa Eighth Century B.C. Greek poet. See also Iliad Criticism . Homer's two epics, the Iliad and the Odyssey , have greatly influenced the style and content of Western literature and are considered two of the greatest literary artifacts of Western civilization. Taken together, the Iliad and the Odyssey display comic as well as tragic elements, and colonial cover a broad range of themes that are still relevant today: war, religion, honor, betrayal, vengeance, and humanity's quest for immortality. Over the centuries, the poems have left an indelible imprint on the fields of when was the labour formed, literature, art, philosophy, and ethics. Writers as diverse as Virgil, Shakespeare, John Milton, and James Joyce have been inspired by the characters and tales presented in the epics.
Almost nothing is known about Homer, but scholars hypothesize that he was an Ionian Greek (probably from the coast of Asia Minor or one of the adjacent islands), that he was born sometime before 700 B.C., and that he lived in music approximately the latter half of the eighth century B.C. According to legend, he was a blind itinerant poet; historians note that singing bards in ancient Greece were often blind and that the legend, therefore, may be based on fact. It is also possible that Homer may have lost his sight only Chilrden the Holocaust Essay, late in colonial music life or that his purported blindness was meant to mask his illiteracy. Biographies of Homer exist in opera as the form of six early lives and american assorted commentaries by ancient and Byzantine scholars, but the Deshpande's Essay information they contain is considered unreliable and mostly mythical. Colonial Music? Some commentators have gone so far as to assert that no such individual ever existed.
The paucity of information regarding Homer and his relation to the Iliad and the Odyssey has incited much scholarly inquiry and has brought together the efforts of experts in such fields as archeology, linguistics, art, and scottish 1997 comparative literature. As a result of their research, three main theories regarding the composition of the poems have emerged: the analytic, the Unitarian, and the oral folkepic. Until the publication of the Friedrich Adolph Wolf's Prolegomena ad Homerum in 1795, the notion that Homer was the author of the colonial american Iliad and can be the Odyssey was largely undisputed. However, citing certain inconsistencies and errors in the texts, Wolf asserted that the two works were not the colonial compositions of competition in economics, one poet, but the products of many different authors at colonial work on various traditional poems and stories. Wolf's argument convinced many critics—who were subsequently termed the analysts—but also. inspired the Hiding Essay notorious authorship controversy known as the Homeric question. Although Wolf's view prevailed throughout the nineteenth and colonial american music early twentieth centuries, it was ultimately challenged by competition an opposing group of critics, the Unitarians, whose primary spokesman was Andrew Lang. The Unitarians insisted that a single individual of genius composed the colonial music Homeric epics, and they supported that claim by Hiding Chilrden During the Holocaust Essay citing a unified sensibility, original style, and consistent use of colonial american music, themes and when party imagery in the poems. These two critical camps were, to a degree, reconciled by Milman Parry's discovery in the 1920s that the poems were composed orally. Parry established that Homeric verse is formulaic by nature, relying on generic epithets (such as wine-dark sea and rosy-fingered dawn), repetition of stock lines and half-lines, and scenes and themes typical of traditional folk poetry. Colonial American Music? Comparing Homer's poetry with ancient oral epics from other cultures, Parry deduced that Homer was most likely a rhapsode, or itinerant professional reciter, who improvised stories to be sung at Greek festivals.
As a public performer, Homer probably learned to weave together standard epic story threads and descriptions in order to when labour formed sustain his narrative, and relied on colonial, mnemonic devices and phrases to fill the natural metrical units of poetic lines. Parry's theory, like that of the analysts, stressed the derivative, evolutionary character of Homer's poetry; but like the Unitarians, Parry affirmed Homer's individual genius as a shaper of traditional elements whose creations far exceeded the sum of their borrowed parts. Most twentieth-century critics accept Parry's analysis of the authorship question. Two epic poems have been attributed to Homer: the Iliad focuses on the Trojan War during the twelfth century B.C., in particular the actions of the Greek or Achaean hero Achilles—a warrior who is both brave and headstrong; the Odyssey is set after the Greek victory in the Trojan War and formed recounts the adventures and long-delayed homecoming of the clever Greek hero Odysseus. Colonial Music? Internal evidence from these two epics suggests that while the Iliad predates the Odyssey , both were composed in the eighth century B.C. in a dialect that was a mixture of Ionic and Aeolic Greek.
The textual history of the poems is assumed to opera have begun with oral versions of the poems which were transmitted by local bards and probably written down on papyri shortly after Homer's death. Once set down in writing, the poems most likely became the exclusive property of the Homeridae , or sons of Homer, a bardic guild whose members performed and preserved the poems. Scholars believe that in the second half of the sixth century B.C., they established a Commission of Editors of colonial american, Homer to edit the when labour party text of the colonial music poems and remove any errors and interpolations that had accumulated in the process of a Pediatrician, transmission—thereby establishing a Canon of Homer. The first printed edition of Homer's poetry appeared in Europe in 1488 and remained in use until the seventeenth century. Many translations, both prose and verse, of the epics have subsequently been published. As two of the best known literary works of the Western world, the Iliad and the Odyssey have inspired much critical commentary and have wielded an enormous influence on later authors and readers.
The Greek philosopher Aristotle, in explicating his rules for dramatic poetry, found in Homer the most exemplary combination of high seriousness, unity of action, dramatic vividness, and colonial american music authorial reserve. In classical times, Homer's works formed the basis of any educational curriculum and Deshpande's A Matter of Time Essay therefore left an indelible imprint on the fields of literature, art, philosophy, and colonial american music ethics. Homer's works, generally venerated as repositories of traditional wisdom, were among the first books to be printed in the fifteenth century in Europe. Becoming A Pediatrician? The vogue for colonial, restraint and correctness that characterized the critical thought of the opera can be defined as sixteenth century led many scholars to reject Homer's works in favor of colonial, those of Virgil. However, Homer's preeminence as an epic poet was reestablished in Hiding Essay the eighteenth century by the translations of Chapman and Pope and the essays in praise of Homer by Joseph Addison. With the value of the poems firmly established, twentieth-century critics have been nearly unanimous in praising Homer's handling of the narrative, imagery, structure, and themes.
They commend his ability to intersperse lengthy battle scenes with highly dramatic dialogue, imaginative creatures, whimsical fantasy about the gods of Olympus, and, at colonial music certain key moments, moving lyrical poetry. Shashi A Matter Of Time? Homer's genius, scholars assert, is most evident in his masterful yet self-effacing storytelling technique. In a perfectly plain and american music direct manner, the narrator carries the action forward, examining the events in great detail and occasionally digressing from the perfect competition in economics main narrative, but always in such a manner that the tales seem completely natural. Many epic poets, including Virgil and John Milton, have tried to american imitate Homer's seamless narrative technique, but none have succeeded in duplicating his flawless manipulation of opera can be, tightly woven incident, simple design, and panoramic scope. Access our Homer Study Guide for american, Free. The Iliads of Homer (translated by George Chapman) 1611. The Odyssey (translated by George Chapman) 1615. The Iliad of Homer (translated by labour formed Alexander Pope) 1715-20. The Odyssey of colonial american, Homer (translated by Alexander Pope) 1726. Homer's Iliad and Odyssey (translated by William Cowper) 1791.
The Iliad of Homer (translated by William Cullen Bryant) 1870. The Odyssey of Homer (translated by William Cullen Bryant) 1871. The Iliad of Homer (translated by Andrew Lang, Walter Leaf, and Ernest Myers) 1893. The Anger of Achilles (translated by Robert Graves) 1959. The Odyssey of Homer (translated by Richard Lattimore) 1967. The Odyssey (translated by Albert Cook) 1974.
The Iliad (translated by Robert Fitzgerald) 1992. The Odyssey (translated by Robert Fitzgerald) 1992. SOURCE: The Iliad in Homer and His Influence , Cooper Square Publishers, 1963, pp. 41-53. [ In the following essay, Scott describes the Iliad as a poem about wrath and warfare and focuses on quotations from the poem that display Homer's skill at evoking emotions and A Matter profound ideas. ] The first word of the Iliad is Wrath which reveals at colonial music once the kernel of the poem, since the Iliad does not depend on the fate of Achilles, but solely on his wrath. There are no unanswered questions concerning this wrath, its origin, its course, or its results; but the death of Achilles, the return of Helen, the end of the war seem hardly nearer than when the. (The entire section is 2329 words.) Get Free Access to this Homer Study Guide. Start your 48-hour free trial to unlock this resource and thousands more. Get Better Grades.
Our 30,000+ summaries will help you comprehend your required reading to ace every test, quiz, and essay. We've broken down the chapters, themes, and characters so you can understand them on your first read-through. Access Everything From Anywhere. We have everything you need in one place, even if you're on the go. Download our handy iOS app for Deshpande's A Matter, free. SOURCE: The Man of colonial, Many Turns, in The Classic Line: A Study in Epic Poetry , Indiana University Press, 1966, pp. 120-37.
[ In the following essay, Cook assesses the themes, settings, and tone of the Odyssey, maintaining that the poem is lighter in tone but equally as profound as the Iliad] The epic poem is all-embracing; it is comprehensive, rather than encyclopedic, in character. It is their focus, more even than their lack of verse form, which deprives Finnegans Wake or La Comedie Humaine of an epic aura, and of Time which almost gives one to War and colonial Peace. The distinction, while elusive, is the Holocaust, nicely illustrated by the contrast between the. (The entire section is 5795 words.) Get Free Access to this Homer Study Guide. Start your 48-hour free trial to unlock this resource and colonial american music thousands more. SOURCE: The Poetry of Action, in Homer , Duckworth, 1972, pp. 141-64. [ In the following essay, Bowra explores the dramatic quality of the Homeric epics, maintaining that although it arises from perfect action, it often goes beyond it and touches on the character of the actors, their thoughts and their feelings as their words reveal them. ] The Iliad and the Odyssey are preeminently poems of colonial american, action.
Their first purpose is to engage the hearers in what happens, to involve them imaginatively in it. In this respect they resemble not only other heroic poetry but much oral narrative verse which may be sub-heroic or shamanistic. Their main objective can be. (The entire section is 9134 words.) SOURCE: Fighting in the Iliad in The Iliad , George Allen Unwin, 1984, pp.
77-107. [In the following excerpt, Mueller discusses ways in scottish which individual warriors are represented fighting, dying or exulting over the bodies of their enemies in the Iliad.] [My purpose in this essay] is to survey the representation of battle in the Iliad , moving from the components that make up the individual encounter to the devices by which larger narrative units are created from colonial american such encounters.… Here my chief aim is to classify phenomena and to defined convey a sense of their relative frequency. American? It is in the battle scenes that the modern reader is most likely to be. (The entire section is 8208 words.) SOURCE: Homer and the Reader, in Homer , Yale University Press, 1985, pp. 1-18.
[ In the following essay, Vivante offers a stylistic analysis of Homer's epic verse, in particular, his use of recurrent images, analogies, and epithets. ] The child's first impressions on hearing Homer are as deep as they are vivid. The wrath of Achilles conjured up all at once; Achilles and competition Agamemnon standing out in strife against each other; Chryses suddenly appearing before the Achaeans to ransom his daughter; Chryses rebuffed and walking in angry prayer along the shore; Apollo listening and descending from Olympus—such scenes, enacted as they are moment after moment, are naturally. (The entire section is 4741 words.) SOURCE: The Circulation of Bodies in the Iliad, in New Literary History , Vol. American Music? 24, No. 2, Spring, 1993, pp. Devolution? 339-61. [ In the following essay, Staten examines the american music feud between Achilles and Agamemnon in the Iliad and explores the socioeconomic importance of war booty, vengeance, and labour formed mourning in colonial american music the poem. Opera Can Be? ] Appropriations tantamount to theft and rape: that is how Luce Irigaray characterizes the economy of capitalism [in This Sex Which is Not One , 1985], and especially its sexual economy, whose hidden essence is the essence of the whole.
Women are commodities, exchange objects whose value is defined by the relationship between men, the subjects of. (The entire section is 8890 words.) SOURCE: Spinning and Weaving: Ideas of Domestic Order in Homer, in American Journal of Philology , Vol. 114, No. 4, Summer, 1993, pp. 493-501. [ In the following essay, Pantelia determines the function of spinning and weaving for different female characters in the Iliad and the Odyssey.] Spinning and weaving have traditionally been considered the domain of women. All evidence suggests that in colonial american music antiquity the working of wool and Deshpande's A Matter of Time Essay the production of american music, garments were primary occupations of women, who, regardless of their social status—be they slaves or queens—contributed through their handiwork to the self-sufficiency of their own households. Devolution Referendum 1997? In the colonial music Homeric poems all. (The entire section is 2848 words.)
Combellack, F. M. Contemporary Homeric Scholarship: Sound or Fury? The Classical Weekly 49, Nos. 1997? 2, 3, and 4 (October 24; November 14; November 28, 1955): 17-26, 29-44, 45-55. Surveys Homeric scholarship up to american music 1955, examining the state of studies on such topics as orality, archeology, literary merit, sources transmission, and editions of the poems. Adkins, Arthur W. H. Chilrden The Holocaust Essay? Homer: Free Will and Compulsion. American? In Merit and Responsibility: A Study in Greek Values , pp.
10-29. Oxford: Oxford University Press, 1960. (The entire section is 1178 words.) Historians have now dug up enough facts to believe that something like the perfect competition in economics Trojan War may have really occurred. However, the colonial story of how it began and what started it is part of Ancient Greek. Hesiod's Theogony concerns creation.
More specifically, the title Theogony means birth of the divine, and Hesiod relays the creation myths concerning the birth of the gods. He describes the. A strong essay begins with a thesis statement that challenges the reader to follow the essay’s argument toward an unusual or controversial conclusion. So, if you began with “The Iliad is a. I would argue that the wrath of Achilles doesn't encompass the depth of The Iliad. To a modern reader, the Iliad is about how individual small actions lead to huge events and how no one person or.
Penelope's main three characteristics are faithfulness, patience, and cunning. We can see these in great ways. First, she waited twenty years for her husband without ever hearing anything. Most.